Museums and the local area

In the interconnected sites inland from Bibione, there are numerous activities for tourists to enjoy as part of an all-embracing holiday experience in which the beach and the sea are just the first of a long series of attractions.

The coastal and inland areas complement each other and offer visitors an endless array of original opportunities. What will you find in the surrounding area? Historic towns and villages, museums, archaeological sites, natural environments, and a host of farms where you can sample traditional local products.

Exploring the area at a leisurely pace really brings out the best of its many delights and helps you to see that the town and its surroundings are not separate entities but intertwined parts of a coalesced whole.

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This was the first sanctuary built in Italy in honour of the Holy Virgin, known as the “Madonna of Fatima”.
Work began in 1947 on land donated by Count Gaetano Marzotto, on the outskirts of the town of Portogruaro, along the Treviso-Portogruaro state highway. The foundations of the church and the convent were laid on 13th September 1949 and excavation began two days later.
The sanctuary was consecrated by Bishop Vittorio De Zanche on 13th May 1954. Since 1999, the convent adjacent to the sanctuary has been the home of the Centre for Evangelisation of the Capuchins of Veneto and Friuli Venezia Giulia.







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The Church of St. Mark the Evangelist is situated in Corbolone, a hamlet of San Stino di Livenza. It is a fine treasure trove of precious works of art. The first stone was laid on 29th May 1514 and included the ancient Chapel of the Annunciation, built by the confraternity of the same name in 1459.
The church has a rectangular form with an apse and on the left side is the Chapel of the Annunciation. The facade is embellished by a rose window and on the sides there are two blind arches whose cornices are extended to the floor. The church contains an altar above which there are two black columns with a “Pietà”, created in 1585 by Benedetto Stefani from Verona.
On the main altar is the famous “Titian altarpiece”, showing St. Mark enthroned between St. Sebastian and St. Roch. The frescoes in the Chapel of the Annunciation are by G. Antonio de Sacchis, known as “il Pordenone”.

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The Villanova Paper Mill, which gives the name to the town, was perhaps built by the will of the Barbarigo family, who took advantage of the ample presence of water in this area, transferring production from Venice which, although it had a very active publishing sector, suffered from the lack of 'running water'. 

It was powered by a water mill and was run by a "maestro cartaro", who took care of all the technical, productive and organizational aspects. For a while, the building worked as both a mill and a paper mill. 

From the first half of the eighteenth century, work at the paper mill gradually began to decline. It remained active until the beginning of the 20th century when, based on a project by Vittorio Biaggini, a hydroelectric power station was built to provide light to the entire town of San Michele al Tagliamento. 

The building has recently been renovated with a project financed by the LAG and the Municipal Administration to be turned into a museum of rural civilization.
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The first surrounding wall of the abbey was built in the 10th century, after the devastation caused by the Magyars.
The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani , to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.




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Built in 1458, the Church of St. John the Baptist is located in the area of Settimo. The land for its construction was donated by Giovanni Battista Banchiani from San Vito and Daniele di Toffolo donated land to maintain the resident priest.
Inside the church of St. John the Baptist are “The Adoration of the Magi” and “The Martyrdom of Saint Sebastian and Saint Anthony Abbot”, both by Gian Francesco del Zotto, known as da Tolmezzo; the “Madonna del Latte” by a pupil of the Pordenone, Calderari, and “Stories of the Baptist” by Cristoforo Diana.
On the main altar is a particularly fine “Virgin and Child with Saints John the Baptist and Mark”, by Alessandro Varotari, known as il Padovanino.



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This was founded in 730-735. In 899 it was sacked by the Magyars but St. Mary’s Abbey rose again and was fortified in the 10th century. In 967 Emperor Otto I donated the abbey to Rodoaldo, the patriarch of Aquileia. From 1441 - 1786 the abbey became a commendam and in 1818 the religious jurisdiction returned to the diocese of Concordia and the abbey was finally re-established in 1921.
The first walls were created in the 10th century, after the devastation caused by the Magyars. The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani, to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.

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This contains material and reconstructs rural environments of the 20th century. It contains evidence of rural life in Concordia, which has always been a community linked to agriculture and fishing, due to its close relationship with the river Lemene that runs through the town. There is also equipment, photographs and models from the agricultural life of days gone by, a living testimony of what we once were.







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The Zignago Industrial Group was founded in the ‘30s by Count Gaetano Marzotto, an entrepreneur who was head of the Valdagno (VI) textile group set up in the 19th century by his grandfather Luigi. Count Marzotto acquired an estate of over 1,000 hectares in the area of Villanova, a hamlet in the municipality of Fossalta di Portogruaro. Here the new agricultural centre gave an enormous impetus to the local Fossalta productive framework, managing companies according to the model of the social town of Valdagno, creating homes for workers, a nursery school, a hotel, a park, two tennis courts, a boules court, a skating rink, a Carabinieri barracks, a hospital and a textiles school. The Marzotto family are still the owners of Zignago Santa Margherita Industries today, including a glassworks, flax mill and wineries in Villanova.


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The arch, which was rebuilt in 2014 after years of relative abandonment, is known as the Arco del Fondaco “de’ Todeschi” and represents Portogruaro’s commercial vocation and, in general, the town’s fundamental role at the time of the Venetian Republic. The original building had three naves divided into two courtyards and was located in the San Giovanni area. The Arco del Fondaco is made of large blocks of Istrian stone, surmounted by a trabeation with the lion of St. Mark in the centre. In 2014 it was restored to its ancient splendour and placed in Piazza Marinetti, in one of the historic entrances to the town.

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The Apostolorum Maior Basilica, under the present cathedral, is part of the complex archaeological area of piazza Costantini. It was erected on the remains of warehouses linked to homes from the 1st century A.D. to house the reliquaries of several saints.

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This is without doubt the oldest church in Latisana. It was first mentioned in 1368. In the 18th century the Cathedral of St. John the Baptist underwent radical renovation, with the addition of Baroque elements to the facade. A few relics remain of the ancient church, probably in late-Romanesque style, including the whole frame of a rose window and its central keystone. The rose window elements are now displayed on the northern side of the church.
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Bibionéban tudjuk, hogy a testednek és lelkednek mire van szüksége, ezért is gondoskodunk mindkettorol. Nem szeretnél lemondani a vasárnapi misérol nyaralás közben sem?
Ezen az oldalon olaszul és németül, lengyelül és szlovákul tartott vallási ünnepségekrol találsz információt.
Az egyházközség:
Az egyházközségi templom:
- Egyházközség: S. Maria Assunta (Via Antares, 18)
Lelkész: Facca Don Enrico
Telefon: +39-0431-43178
Fax: +39-0431-43178
Nyári mise: hétköznap: 8.00, 18:00 órakor/ szombaton: 19:00 órakor / vasárnap 7.30, 09:00, 11:30 órakor, 21.00 (Július és augusztus).
Deutsche Messe Sonntag: 10.15 Uhr.
Sv. Omsa v Slovenskom Jazyku Sobota: Hodina 20.15 Kostol.
Msza Sw. Po Polsku: Niedziela, godz 20.00.
Honlap: www.parrocchia-bibione.org
A nyáron is nyitva tartott kápolnák:
- Santo Stefano templom (Via delle Colonie 3/A)
- Maria Regina della Pace kápolna („Pasotto” lelkészközpont) (Via Capricorno ovest 18/A, Lido dei Pini)
- San Pietro kápolna (Via Puccini, 30020, Lido del Sole)
- Sant'Antonio kápolna (Via degli Asfodeli, Bibione Pineda)
Ha az idegen nyelven tartott szent misékre vonatkozó információra van szükséged, akkor keresd fel a www.parrocchia-bibione.org oldalt
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 This is built on the remains of a Roman castrum. The bishops of Concordia governed it through a guastaldo, under the responsibility of the Ridolfi family, who lived there permanently, guarded it and defended it. Towards the middle of the 16th century it became the property of the counts of Attimis, then in the 18th century it passed to the family of the counts Freschi di Cucanea. 

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Inaugurated in 1984, the museum houses a large part of the memorabilia of Ippolito Nievo, one of Italy’s most popular writers and the author of the novel “Confessions of an Italian”.
It contains around one hundred items, including a trunk and clothes belonging to the writer. The collection was initially made possible thanks to materials from the Castle of Colloredo of Montalbano, where it was originally housed. The castle was forced to remove these items due to the major earthquake that hit Friuli in 1976.
In the display cabinets of the “Ippolito Nievo” Museum in Fossalta di Portogruaro – housed in the Town Arts Centre – are all the editions of the aforementioned masterpiece and an original copy of the newspaper “Il Caffè”, signed by Nievo..




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The Dominican convent complex passed into private hands in the 19th century, purchased in lots by families whose names survive: Palazzo Marzin, Palazzo Mainardi and Palazzo Cecchini. Interesting 19th century frescoes adorn the interiors of Palazzo Cecchini, with episodes ranging from allegorical and patriotic scenes to grotesques and landscapes with a Pompeian and neo-Gothic flavour.

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This was designed by the architect Balestra and was the property of the Mocenigo family until the eve of the First World War, then passing into the hands of the Mayer family from Trieste, to the Sinigallia and the Gandolfi. To the left of the entrance is a tall rice stack, powered by a wheel placed on an artificial canal, which is now no longer in use. Today the building is the property of the ATER, which has carried out extensive restoration and has transformed it into a private residence.

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San Michele al Tagliamento was virtually rebuilt after the Second World War. Among the various restorations is the little Church of St. Elizabeth of the Agnolina, inside which are two frescoes that date back to the 16th century, showing the Blessed Virgin of the Graces and the Annunciation with the Trinity.

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This interesting museum is located in the Belfiore area, a hamlet of the Municipality of Pramaggiore. It is housed near Villa Dalla Pasqua, one of the most ancient buildings, with the special shape of a defensive-style closed courtyard.
Inside the museum is a grinding room, work tools and various objects used for a range of activities. It reconstructs the economic and agricultural history of the local area.




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This is a continuous, open space gallery. It is located near the Mills; in a very small, intimate space. It continually combines different projects and influences, with all kinds of installations and painting. It is managed by the Porto dei Benandanti Arts Association. 


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 This was built in 1592 at the behest of monsignor Matteo Sanudi, Marquis of Cordovado, who accepted the request of a woman (and of the local community) who was the protagonist of an extraordinary and miraculous event: the apparition of the Virgin Mary who requested that a church be built and dedicated to her.
The Sanctuary was completed in 1602 and consecrated on the first of May the following year. The fame of the graces and miracles spread beyond Veneto, as far as Austria, from which dozens of the faithful came on pilgrimage.
The main altar has an image of the Virgin Mary by Andrea Bortolotti, known as “il Brunello”.















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