Musei e territorio

L’entroterra di Bibione è costituito da un insieme di realtà collegate fra loro che consentono di vivere un’esperienza di vacanza completa, in cui spiaggia e mare sono i primi di una lunga serie di interessi.

Costa ed entroterra si muovono in sinergia per offrire ai visitatori nuove esperienze ed opportunità. Cosa troverai in questo territorio? Piccoli centri storici, musei, siti archeologici, ambienti naturali, un sistema di imprese agricole in cui potrai degustare i prodotti tipici di queste zone.

Ciò che ancor più valorizza il territorio è la scelta della fruizione lenta, è così che la città e suoi dintorni non vengono percepiti come separati ma piuttosto come un unicum.

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A Roman bridge was found under the town and a 4th-5th century B.C. burial ground known as the soldier’s burial ground was discovered on the left of the River Lemene.
In 1983 remains of the Baths were brought to light and, in the square in front of the cathedral, remains were discovered of homes with drains and floors, as well as a part of the Decumanus Maximus, the main street of the town.
The via dei Pozzi Romani (a side street of via S.Pietro) saw the discovery of two Roman wells.


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Along the bank of the Tagliamento river, there are the remains of Villa Mocenigo, now Biaggini-Ivancich, compromised by the bombings of the Second World War and the 1976 earthquake. 

At the end of the seventeenth century, the “barchesse” were built, attributed to the architect Longhena and defined as "monumental works, among the greatest of historical and artistic interest in the Province of Venice" (Arch. G. Gabrielli Pross, 1983).

Villa’s centuries-old park is very large and hosts many varieties of plants, as well as eight statues in Istrian stone representing the four seasons and virtues. 

The relations of the Biaggini and Ivancich families with internationally renowned novelists and poets were important, including the lasting friendship between Adriana Ivancich and Ernest Hemingway. In the novel "Across the River and Into the Trees" Adriana's inspiration for the female protagonist is clearly recognized.

It is possible to visit the remains of the villa and its park, as part of the free guided tour in the historical-cultural itinerary "The wars of the 20th century"-> On Thursday from June to September at 5:00 pm. On Sunday from October to May at 10:30 am.
Booking: within 1:00 pm on the previous Wednesday, at:
- Tourist Information Office (Bibione Via Maja 84 – 0431 444846 – iat@comunesanmichele.it)
- Tourism Office of the Town Hall (S. Michele al T. Piazza della Libertà 2 – 0431 516130/133 – turismo@comunesanmichele.it)

















































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This is housed in the St. Agnes’ Tower in the historic centre of Portogruaro. The Town Museum, opened in 1999, reconstructs the story of the town from the 12th century to the 20th century, highlighting and exploring the various aspects of public, private, civic and religious life in the town through the relics contained there. It contains many stone crests of noble families from Portogruaro, statues, libation dishes, inscriptions and ceramics. There are also fine 19th and 20th century prints, including a portrait of Quintino Sella as a member of the Accademia dei Lincei in 1877. 

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 This was built in 1592 at the behest of monsignor Matteo Sanudi, Marquis of Cordovado, who accepted the request of a woman (and of the local community) who was the protagonist of an extraordinary and miraculous event: the apparition of the Virgin Mary who requested that a church be built and dedicated to her.
The Sanctuary was completed in 1602 and consecrated on the first of May the following year. The fame of the graces and miracles spread beyond Veneto, as far as Austria, from which dozens of the faithful came on pilgrimage.
The main altar has an image of the Virgin Mary by Andrea Bortolotti, known as “il Brunello”.















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Altan Venanzio Palace. Beautiful building of the XV century built on a pre-existing one of the XIV century and frescoed (there are still some traces) by Giulio Quaglio in the XVII century. lt has been hosting public offices since 1877. On its façade, two pla­ques commemorate Luigi Russolo (1885-1947), and Girola­mo Venanzio (1791-1872).
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The building dates back to the 18th century, although one particular document attached to the baptism registry hints at a pre-existing church dedicated to the Blessed Virgin. It has an atmospheric facade embellished by an harbour and by two characteristic grooved oval windows.
Inside is a statue of the virgin by the artist Valentino Besarel. The dedication of the church recalls the proclamation of the dogma of the immaculate conception by Pope Pius IX, on 8th December 1854.

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This building is part of Villa Dalla Pasqua and, together with the Belfiore Mill, forms a sort of closed courtyard to the right of the River Loncon. The Castellina has recently been restored. It has a polygonal shape and features a framework of brick eaves in Medieval style. Arts and recreational events are organised here. 

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This contains material and reconstructs rural environments of the 20th century. It contains evidence of rural life in Concordia, which has always been a community linked to agriculture and fishing, due to its close relationship with the river Lemene that runs through the town. There is also equipment, photographs and models from the agricultural life of days gone by, a living testimony of what we once were.







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The Museum was founded in 1885 and named the National Museum of Concordia to underline its close relationship with the nearby archaeological area of Concordia Sagittaria. It was headed by Dario Bertolini, who first organised the archaeological material in the building. Most of the materials are relics discovered between 1873 and 1882 in the vast archaeological area of Concordia Sagittaria; above all the burial site from the late Roman Age.

Info: https://polomusealeveneto.beniculturali.it/musei/museo-nazionale-concordiese-di-portogruaro-e-area-archeologica-di-concordia-sagittaria
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The facade of the Church of St. Biagio is in Renaissance style. However, in 1937, it collapsed and was rebuilt in a classical, neo-Palladian style. The current church has three naves and was completed at the end of the last century.
Inside is a marble baptismal font made by Giovanni Antonio Pilacorte in 1486 and an altarpiece of the crucifixion by Gregorio Lazzarini. The latter is a fine painting that effectively renders the dramatic tension of the event.


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The Villanova Paper Mill, which gives the name to the town, was perhaps built by the will of the Barbarigo family, who took advantage of the ample presence of water in this area, transferring production from Venice which, although it had a very active publishing sector, suffered from the lack of 'running water'. 

It was powered by a water mill and was run by a "maestro cartaro", who took care of all the technical, productive and organizational aspects. For a while, the building worked as both a mill and a paper mill. 

From the first half of the eighteenth century, work at the paper mill gradually began to decline. It remained active until the beginning of the 20th century when, based on a project by Vittorio Biaggini, a hydroelectric power station was built to provide light to the entire town of San Michele al Tagliamento. 

The building has recently been renovated with a project financed by the LAG and the Municipal Administration to be turned into a museum of rural civilization.

Cycle path -> GiraTagliamento
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The first surrounding wall of the abbey was built in the 10th century, after the devastation caused by the Magyars.
The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani , to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.




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St. Andrew’s Cathedral was built on the remains of three previous churches: St. Frances, St. Lazarus and St. James. Work began on 4th August 1793 and ended only in 1833. It was inaugurated in the same year by Bishop Carlo Fontanini, who consecrated this majestic Neo-Classical church.
The cathedral, with its three naves, is 55.07 metres long, 20.38 metres wide at the transept, 23.4 metres high at the central cupola and 19 metres high at the ceiling. In 1925 it was decorated by Tiburzio Donadon from Pordenone. It contains various fine works of art, including the “Holy Conversation” and the “Stories of St. Andrew” by Pomponio Amalteo, and the “St. Roch, and the “Resurrection Altarpiece” by Jacopo Negretti.
The “St. Thomas Altarpiece” by Cima da Conegliano, which was originally housed in the cathedral, was sold at a time when money was short for 1800 pounds to the British Museum. The bell tower, which is currently 59 metres high was originally 47 metres. The facade was renovated in 1879, together with the pinnacle.
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The Apostolorum Maior Basilica, under the present cathedral, is part of the complex archaeological area of piazza Costantini. It was erected on the remains of warehouses linked to homes from the 1st century A.D. to house the reliquaries of several saints.

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The Church of St. Mark the Evangelist is situated in Corbolone, a hamlet of San Stino di Livenza. It is a fine treasure trove of precious works of art. The first stone was laid on 29th May 1514 and included the ancient Chapel of the Annunciation, built by the confraternity of the same name in 1459.
The church has a rectangular form with an apse and on the left side is the Chapel of the Annunciation. The facade is embellished by a rose window and on the sides there are two blind arches whose cornices are extended to the floor. The church contains an altar above which there are two black columns with a “Pietà”, created in 1585 by Benedetto Stefani from Verona.
On the main altar is the famous “Titian altarpiece”, showing St. Mark enthroned between St. Sebastian and St. Roch. The frescoes in the Chapel of the Annunciation are by G. Antonio de Sacchis, known as “il Pordenone”.

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Portogruaro This is housed in the Villa Comunale, a lovely 16th century building by Bergamasco. It was opened in 1976 as the “Michele Gortani” museum with 10 display cases. Today there are 25 cases housing around 1500 fossils. They range from the lower Palaeolithic era to the appearance of man. Most come from Veneto, Fruili and Carnia. 


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 This is built on the remains of a Roman castrum. The bishops of Concordia governed it through a guastaldo, under the responsibility of the Ridolfi family, who lived there permanently, guarded it and defended it. Towards the middle of the 16th century it became the property of the counts of Attimis, then in the 18th century it passed to the family of the counts Freschi di Cucanea. 

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The ancient church of Fossalta, founded around the year 1000, was demolished in 1893. The new church was designed in 1892 by engineer Federico Berchet, followed by architect Domenico Rupolo, who completed the work.
The “domo de Fossalta” (Fossalta cathedral) was completed in 1896. There is still a great deal of work to finish and over the years the two large marble altars of the Holy Virgin of the Belt and of St. Biagio and the altar were placed in the lateral transepts.
The completion of the new main altar, also designed by Rupolo, completed the choir stalls and the upper part of the apse, right above the Lugugnana Canal, together with the construction of two lateral sacristies.


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The Dominican convent complex passed into private hands in the 19th century, purchased in lots by families whose names survive: Palazzo Marzin, Palazzo Mainardi and Palazzo Cecchini. Interesting 19th century frescoes adorn the interiors of Palazzo Cecchini, with episodes ranging from allegorical and patriotic scenes to grotesques and landscapes with a Pompeian and neo-Gothic flavour.

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The Mills
The typical Mills of St. Andrew (named after the town district in which they are located) are part of Portogruaro’s ancient heritage, which are highlighted by the setting of the historic centre. They were cited in a papal bull of 1186 as “Portum de Gruario cum molendinis”. They were initially used for milling and today have been converted into an art gallery.
They host exhibition openings and prestigious cultural evenings.

Fishmonger
The small wood­en chapel, dedicated to the Virgin Mary, dates back to the first half of the '600s, when the devotion for the image of the Madonna del Carmine, which is inside the chapel, started to spread. Here, on August 15th mass is celebrated in the morning and in the evening, there is a feast that is very im­portant for the people of Por­tugruaro with the arrival of boats from nearby Concordia.

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