Múzeumok és a térség

Bibione több területből összekötött felépítésének köszönhetően teljeskörű nyaralást élvezhetsz, amelyben a strand és a tenger a lehetőségeknek csak a kezdetét jelentik.

A tengerpart és a szárazföld együttesen bűvölik el a látogatókat és nyújtanak új élményeket és lehetőségeket. Mivel találkozhatsz? Történelmi, kis városközpontok, régészeti helyek, természetes környezet, mezőgazdasági vállalkozások olyan rendszere, ahol a helyi termékek meg is kóstolhatók.

A térséget még értékesebbé a nyugodt ritmusú „lassú” élvezete teszi, amelynek köszönhetően a város és a környéke nem különálló, hanem egy egészet alkot.

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The parish church of St. Vitale dates back to the 15th century, but it was rebuilt in the 17th century and restored in 1946.
During restoration in 1763 an octagonal pinnacle surmounted by another pinnacle was added. Inside there is a monumental main altar, an architrave structure with a coffered ceiling, tympanum and lateral niches, the work of the stonemason Rinaldo from Portogruaro. The antependium has a bas-relief of Christ and two angels in symmetrical movement.
The altar originally contained an altarpiece of St. Vitale, now probably substituted with a copy. The bell tower is from the 16th century, and was probably built on a previous military tower.
Lino Grando has always loved local memorabilia and other objects and has an extraordinary collection of furnishings, knick knacks and objects from the daily lives of our ancestors. Giannino Fontanel’s private museum is an extraordinary example of a historic reconstruction of the First World War. Inside are thousands of objects, from uniforms to camp utensils. It is a monument to our history. 

The current cathedral is to all effects the last of a series of cathedrals that were built over time in Concordia Sagittaria. The first dates back to the late 15th century and was destroyed by the invasion of the Huns in 452.
The later cathedral was submerged when the River Lemene broke its banks in the mid-6th century. Other cathedrals were built in the 11th and 14th centuries.
The present construction dates back to 1466, and was commissioned by Bishop Antonio Feletto. It was completed in the 19th century, with the building of the choir stalls. At the beginning of the 20th century, during the bishopric of monsignor Francesco Isola, the present facade was built and the Martyrs’ Chapel was added, with the crypt in which their reliquaries are preserved.
The exterior of the church has a walled facade in exposed brick. In the centre of the Romanesque façade is the portal, surmounted by a circular rose window. Each of the two lateral naves has a single lancet window. On the right hand side of the church is a 12th century bell tower, 28 metres high, with two tiers of mullioned windows on each facade, and the baptistery with the layout of a Greek cross and a small cupola.
The exterior of the Gothic-style apse is decorated with another four mullioned windows. The interior of the cathedral is in the form of a Latin cross, with three naves separated by two lines of rounded arches resting on quadrangular pillars with semi-columns. In the Martyrs’ Chapel, enlarged at the beginning of the 20th century by the future cardinal Celso Benigno Luigi Costantini, is an altarpiece by Alessandro Varotari, known as “il Padovanino”.

The landowners homes of Annone, including the famous Gianotto rural home, are decorated with frescoes inside the porticoes. The Gianotto rural home has frescoes dating back to the 16th century. There is also the important 17th century Villa Polvaro, located in Spadacenta.

This is without doubt the oldest church in Latisana. It was first mentioned in 1368. In the 18th century the Cathedral of St. John the Baptist underwent radical renovation, with the addition of Baroque elements to the facade. A few relics remain of the ancient church, probably in late-Romanesque style, including the whole frame of a rose window and its central keystone. The rose window elements are now displayed on the northern side of the church.
The first surrounding wall of the abbey was built in the 10th century, after the devastation caused by the Magyars.
The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani , to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.

Inaugurated in 1984, the museum houses a large part of the memorabilia of Ippolito Nievo, one of Italy’s most popular writers and the author of the novel “Confessions of an Italian”.
It contains around one hundred items, including a trunk and clothes belonging to the writer. The collection was initially made possible thanks to materials from the Castle of Colloredo of Montalbano, where it was originally housed. The castle was forced to remove these items due to the major earthquake that hit Friuli in 1976.
In the display cabinets of the “Ippolito Nievo” Museum in Fossalta di Portogruaro – housed in the Town Arts Centre – are all the editions of the aforementioned masterpiece and an original copy of the newspaper “Il Caffè”, signed by Nievo..

Excavation in Concordia began in the last century. A Roman bridge was found under the town and a 4th-5th century B.C. burial ground known as the soldier’s burial ground was discovered on the left of the River Lemene.
In 1983 remains of the Baths were brought to light and, in the square in front of the cathedral, remains were discovered of homes with drains and floors, as well as a part of the Decumanus Maximus, the main street of the town.
The via dei Pozzi Romani (a side street of via S.Pietro) saw the discovery of two Roman wells.

The latest discovery dates back to 2013. Two Roman sarcophagi were found outside what were once the ancient town walls. The monument, which is today temporarily housed under the Municipal Loggia, dates back to the late 2nd century A.D. It is made up of a podium in blocks of Calcare di Aurisina, originally with three levels.
The whole construction reached a height of 1.3 metres and had a perimeter base of 6.5 x 1.7 metres. At the top of the podium, as it was originally, the fragments of the two main sarcophagi in decorated preconnesio marble have been placed.
They were approximately 1.7 high and over 2 metres long and were demolished in ancient times.

This was built around the mid-12th century and was once called Porta del Bando and then Porta S. Lazzaro (St. Lazarus’ Gate) after the lepers’ 
hospice of the same name, which was built in 1203 on what is now via Zappetti. It was restored in 1555-56 by podestà Girolamo Zorzi, as the inscription above the gate recalls.

A beautiful example of an 18th century Veneto villa, Villa Freschi is located in the ancient hamlet of Ramuscello Vecchio. An avenue of poplar trees leads to the villa, which has a large courtyard with the manor house in the background. On the sides are two barchesse (rural service buildings). The ancient church of St. Anastasia is also here. To the rear of the villa are the grounds and a lake.

Bibionéban tudjuk, hogy a testednek és lelkednek mire van szüksége, ezért is gondoskodunk mindkettorol. Nem szeretnél lemondani a vasárnapi misérol nyaralás közben sem?
Ezen az oldalon olaszul és németül, lengyelül és szlovákul tartott vallási ünnepségekrol találsz információt.
Az egyházközség:
Az egyházközségi templom:
- Egyházközség: S. Maria Assunta (Via Antares, 18)
Lelkész: Vena don Andrea
Telefon: +39-0431-43178
Fax: +39-0431-43178
Nyári mise: hétköznap: 18:00 órakor – csütörtökön 8:00 órakor / szombaton: 18:00 órakor / vasárnap 09:00 és 11:00 órakor.
A nyáron is nyitva tartott kápolnák:
- Santo Stefano templom (Via delle Colonie 3/A)
- Maria Regina della Pace kápolna („Pasotto” lelkészközpont) (Via Capricorno ovest 18/A, Lido dei Pini)
- San Pietro kápolna (Via Puccini, 30020, Lido del Sole)
- Sant'Antonio kápolna (Via degli Asfodeli, Bibione Pineda)
Ha az idegen nyelven tartott szent misékre vonatkozó információra van szükséged, akkor keresd fel a oldalt
A nyáron is nyitva tartott kápolnák:
- Bibione Pineda, Sant’Antonio (Via Baseleghe, 13)
Hétköznap: nincs szentmise
Szombaton: 19:00 órakor
Vasárnap: 8:00 és 10:30 órakor
- Lido del Sole, S. Pietro (Via Vivaldi)
Hétköznap: 10:30 órakor
- Lido dei Pini, Regina della Pace ( Via Lira)
Hétköznap: nincs szentmise
Szombaton 19:00 órakor
Vasárnap: 9:00 órakor
- Bibione, „Santo Stefano” via delle Colonie
Szeptemberig tartanak Szentmisét idegen nyelven.
Szentmise szeptember után
A nyáron is nyitva tartott kápolnákban tartott szentmisék megszunnek (Lido del Sole, Bibione Pineda, Lido dei Pini)
Az egyházközségben:
Hétköznap: 8:00 órakor szeptemberig és 18:00 órakor
Szombaton: 18:00 órakor
Vasárnap: 9:00, 11:00, 18:00 órakor (szeptemberig)
This was designed by the architect Balestra and was the property of the Mocenigo family until the eve of the First World War, then passing into the hands of the Mayer family from Trieste, to the Sinigallia and the Gandolfi. To the left of the entrance is a tall rice stack, powered by a wheel placed on an artificial canal, which is now no longer in use. Today the building is the property of the ATER, which has carried out extensive restoration and has transformed it into a private residence.

This was the first sanctuary built in Italy in honour of the Holy Virgin, known as the “Madonna of Fatima”.
Work began in 1947 on land donated by Count Gaetano Marzotto, on the outskirts of the town of Portogruaro, along the Treviso-Portogruaro state highway. The foundations of the church and the convent were laid on 13th September 1949 and excavation began two days later.
The sanctuary was consecrated by Bishop Vittorio De Zanche on 13th May 1954. Since 1999, the convent adjacent to the sanctuary has been the home of the Centre for Evangelisation of the Capuchins of Veneto and Friuli Venezia Giulia.

The National Museum of Concordia is certainly a reference point in the entire area of Concordia and Portogruaro for the Roman and Christian history of the area and relics that are evidence of its most important stages. However, a few years ago, a Civil Archaeological Museum was also opened in Concordia Sagittaria, containing recently discovered relics from the Roman, Paleo-Christian and Romanesque periods. 

This was founded in 730-735. In 899 it was sacked by the Magyars but St. Mary’s Abbey rose again and was fortified in the 10th century. In 967 Emperor Otto I donated the abbey to Rodoaldo, the patriarch of Aquileia. From 1441 - 1786 the abbey became a commendam and in 1818 the religious jurisdiction returned to the diocese of Concordia and the abbey was finally re-established in 1921.
The first walls were created in the 10th century, after the devastation caused by the Magyars. The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani, to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.

The Portogruaro Municipal Contemporary Art Gallery dates back to just after the Second World War. It has hosted exhibitions by internationally
famous artists like De Pisis, Carena, Guttuso, Saetti, Guidi, Afro, Vedova and Springolo.

San Michele al Tagliamento was virtually rebuilt after the Second World War. Among the various restorations is the little Church of St. Elizabeth of the Agnolina, inside which are two frescoes that date back to the 16th century, showing the Blessed Virgin of the Graces and the Annunciation with the Trinity.

Portogruaro This is housed in the Villa Comunale, a lovely 16th century building by Bergamasco. It was opened in 1976 as the “Michele Gortani” museum with 10 display cases. Today there are 25 cases housing around 1500 fossils. They range from the lower Palaeolithic era to the appearance of man. Most come from Veneto, Fruili and Carnia. 

The museum was created by a group of enthusiasts from the town, the municipality offered its full support and the Fossalta Ethnographic Museum was thus born in 1990.
It is a repository of the trades, uses and customs of local people in the first half of the 20th century, including the main artisan activities in the area, like that of the stonemason, blacksmith, shoemaker and tailor, etc. There are also external spaces divided into a portico, farmyard, sottoportico and cellar.
There are extremely valuable reconstructions of farming environments of the era, together with special features like the lighting, recreated using original materials, old dishes, bracket lights, woven electric wires and porcelain insulators etc.