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Múzeumok és a térség

Bibione több területből összekötött felépítésének köszönhetően teljeskörű nyaralást élvezhetsz, amelyben a strand és a tenger a lehetőségeknek csak a kezdetét jelentik.

A tengerpart és a szárazföld együttesen bűvölik el a látogatókat és nyújtanak új élményeket és lehetőségeket. Mivel találkozhatsz? Történelmi, kis városközpontok, régészeti helyek, természetes környezet, mezőgazdasági vállalkozások olyan rendszere, ahol a helyi termékek meg is kóstolhatók.

A térséget még értékesebbé a nyugodt ritmusú „lassú” élvezete teszi, amelynek köszönhetően a város és a környéke nem különálló, hanem egy egészet alkot.

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A beautiful example of an 18th century Veneto villa, Villa Freschi is located in the ancient hamlet of Ramuscello Vecchio. An avenue of poplar trees leads to the villa, which has a large courtyard with the manor house in the background. On the sides are two barchesse (rural service buildings). The ancient church of St. Anastasia is also here. To the rear of the villa are the grounds and a lake.


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The National Museum of Concordia is certainly a reference point in the entire area of Concordia and Portogruaro for the Roman and Christian history of the area and relics that are evidence of its most important stages. However, a few years ago, a Civil Archaeological Museum was also opened in Concordia Sagittaria, containing recently discovered relics from the Roman, Paleo-Christian and Romanesque periods. 



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This is a continuous, open space gallery. It is located near the Mills; in a very small, intimate space. It continually combines different projects and influences, with all kinds of installations and painting. It is managed by the Porto dei Benandanti Arts Association. 


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Lino Grando has always loved local memorabilia and other objects and has an extraordinary collection of furnishings, knick knacks and objects from the daily lives of our ancestors. Giannino Fontanel’s private museum is an extraordinary example of a historic reconstruction of the First World War. Inside are thousands of objects, from uniforms to camp utensils. It is a monument to our history. 

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Manor Houses
The countless manor houses in the area, inspired by or originating with the Venetians, are extremely well built and prestigious.
The most important:
include Villa Rubin, built in the 18th century by the Papadopoli, with a square Venetian plan over three floors;
Villa Migotto, featuring elegant stone cornices;/p>
Villa Murador, with an elegant balcony on which there are two mono spheres separated by a little column and a central salon illuminated by double lancet windows with semi-circular arches and exposed stone balconies;
Villa Migotto, where all the windows of the piano nobile have archivolts and the cornice of the eaves has a modilion;
Villa Gubitta, which dates back to the 16th-17th centuries;
Villa Correr Agazzi, which has recently been restored and is suitable for hosting all kinds of events;
Villa Piva, set in the centre of a large agricultural estate.


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This was founded in 730-735. In 899 it was sacked by the Magyars but St. Mary’s Abbey rose again and was fortified in the 10th century. In 967 Emperor Otto I donated the abbey to Rodoaldo, the patriarch of Aquileia. From 1441 - 1786 the abbey became a commendam and in 1818 the religious jurisdiction returned to the diocese of Concordia and the abbey was finally re-established in 1921.
The first walls were created in the 10th century, after the devastation caused by the Magyars. The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani, to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.

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The latest discovery dates back to 2013. Two Roman sarcophagi were found outside what were once the ancient town walls. The monument, which is today temporarily housed under the Municipal Loggia, dates back to the late 2nd century A.D. It is made up of a podium in blocks of Calcare di Aurisina, originally with three levels.
The whole construction reached a height of 1.3 metres and had a perimeter base of 6.5 x 1.7 metres. At the top of the podium, as it was originally, the fragments of the two main sarcophagi in decorated preconnesio marble have been placed.
They were approximately 1.7 high and over 2 metres long and were demolished in ancient times.


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The Gaspari Temple is a funerary temple that houses the remains of Gaspare Luigi Gaspari, his son, and wife Rosa de Egregis Gaspari. Designed by architect Andrea Scala from Udine, the temple is one of the best examples of Neo-Classicism in Friuli Venezia Giulia.
It has a quadrilateral central body and has the three apses on three sides. The facade is in Neo-Classical style and it is covered by a large centre cupola with three semi-cupola covering the three apses. The Gaspari Temple has been declared a building of special interest by a Ministerial Decree.

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Inaugurated in 1984, the museum houses a large part of the memorabilia of Ippolito Nievo, one of Italy’s most popular writers and the author of the novel “Confessions of an Italian”.
It contains around one hundred items, including a trunk and clothes belonging to the writer. The collection was initially made possible thanks to materials from the Castle of Colloredo of Montalbano, where it was originally housed. The castle was forced to remove these items due to the major earthquake that hit Friuli in 1976.
In the display cabinets of the “Ippolito Nievo” Museum in Fossalta di Portogruaro – housed in the Town Arts Centre – are all the editions of the aforementioned masterpiece and an original copy of the newspaper “Il Caffè”, signed by Nievo..




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The arch, which was rebuilt in 2014 after years of relative abandonment, is known as the Arco del Fondaco “de’ Todeschi” and represents Portogruaro’s commercial vocation and, in general, the town’s fundamental role at the time of the Venetian Republic. The original building had three naves divided into two courtyards and was located in the San Giovanni area. The Arco del Fondaco is made of large blocks of Istrian stone, surmounted by a trabeation with the lion of St. Mark in the centre. In 2014 it was restored to its ancient splendour and placed in Piazza Marinetti, in one of the historic entrances to the town.

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The building dates back to the 18th century, although one particular document attached to the baptism registry hints at a pre-existing church dedicated to the Blessed Virgin. It has an atmospheric facade embellished by an harbour and by two characteristic grooved oval windows.
Inside is a statue of the virgin by the artist Valentino Besarel. The dedication of the church recalls the proclamation of the dogma of the immaculate conception by Pope Pius IX, on 8th December 1854.

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The Museum was founded in 1885 and named the National Museum of Concordia to underline its close relationship with the nearby archaeological area of Concordia Sagittaria. It was headed by Dario Bertolini, who first organised the archaeological material in the building. Most of the materials are relics discovered between 1873 and 1882 in the vast archaeological area of Concordia Sagittaria; above all the burial site from the late Roman Age.

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San Michele al Tagliamento was virtually rebuilt after the Second World War. Among the various restorations is the little Church of St. Elizabeth of the Agnolina, inside which are two frescoes that date back to the 16th century, showing the Blessed Virgin of the Graces and the Annunciation with the Trinity.

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This was built around the mid-12th century and was once called Porta del Bando and then Porta S. Lazzaro (St. Lazarus’ Gate) after the lepers’ 
hospice of the same name, which was built in 1203 on what is now via Zappetti. It was restored in 1555-56 by podestà Girolamo Zorzi, as the inscription above the gate recalls.

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This was designed by the architect Balestra and was the property of the Mocenigo family until the eve of the First World War, then passing into the hands of the Mayer family from Trieste, to the Sinigallia and the Gandolfi. To the left of the entrance is a tall rice stack, powered by a wheel placed on an artificial canal, which is now no longer in use. Today the building is the property of the ATER, which has carried out extensive restoration and has transformed it into a private residence.

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This was built in the mid-12th century then restored from 1252-56. After 1281 it took the name of the St. Francis Gate, after the adjoining church of the same name. It was also restored in the mid-16th century when the podestà Giorgio Gradenigo had what is now via Martiri paved. Its current name, Porta San Gottardo, recalls another church, which was originally outside the gate, on the site of the present Care Home for the Elderly. 

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This is housed in the St. Agnes’ Tower in the historic centre of Portogruaro. The Town Museum, opened in 1999, reconstructs the story of the town from the 12th century to the 20th century, highlighting and exploring the various aspects of public, private, civic and religious life in the town through the relics contained there. It contains many stone crests of noble families from Portogruaro, statues, libation dishes, inscriptions and ceramics. There are also fine 19th and 20th century prints, including a portrait of Quintino Sella as a member of the Accademia dei Lincei in 1877. 

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This ancient church of Concordia, recently requalified as a cathedral, was extensively renovated in the late 15th century. It originally had a single nave and two other naves were added in the 17th century. There are many wooden parts and furnishings inside. 

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 This was built in 1592 at the behest of monsignor Matteo Sanudi, Marquis of Cordovado, who accepted the request of a woman (and of the local community) who was the protagonist of an extraordinary and miraculous event: the apparition of the Virgin Mary who requested that a church be built and dedicated to her.
The Sanctuary was completed in 1602 and consecrated on the first of May the following year. The fame of the graces and miracles spread beyond Veneto, as far as Austria, from which dozens of the faithful came on pilgrimage.
The main altar has an image of the Virgin Mary by Andrea Bortolotti, known as “il Brunello”.















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This contains material and reconstructs rural environments of the 20th century. It contains evidence of rural life in Concordia, which has always been a community linked to agriculture and fishing, due to its close relationship with the river Lemene that runs through the town. There is also equipment, photographs and models from the agricultural life of days gone by, a living testimony of what we once were.







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