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Muzea a teritorium

Vnitrozemí Bibione tvoří několika vzájemně spojených lokalit, které umožňují doplnit další zážitky z dovolené, kde jsou moře a pláž jen prvními z dlouhé řady zajímavostí. Pobřeží a vnitrozemí se pohybují ve vzájemné synergii a nabízejí svým návštěvníkům nové zážitky a výhody.

Co na vás čeká na tomto území? Malá historická centra, muzea, archeologická naleziště, přírodní krajina, systém zemědělský podniků a farem, kde lze ochutnat typické místní produkty. Přidanou hodnotou tohoto teritoria je volba pozvolného využití, takže město a jeho okolí nejsou vnímány jako oddělené, ale spíše jako jeden celek.

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The museum was created by a group of enthusiasts from the town, the municipality offered its full support and the Fossalta Ethnographic Museum was thus born in 1990.
It is a repository of the trades, uses and customs of local people in the first half of the 20th century, including the main artisan activities in the area, like that of the stonemason, blacksmith, shoemaker and tailor, etc. There are also external spaces divided into a portico, farmyard, sottoportico and cellar.
There are extremely valuable reconstructions of farming environments of the era, together with special features like the lighting, recreated using original materials, old dishes, bracket lights, woven electric wires and porcelain insulators etc.















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The parish church of St. Vitale dates back to the 15th century, but it was rebuilt in the 17th century and restored in 1946.
During restoration in 1763 an octagonal pinnacle surmounted by another pinnacle was added. Inside there is a monumental main altar, an architrave structure with a coffered ceiling, tympanum and lateral niches, the work of the stonemason Rinaldo from Portogruaro. The antependium has a bas-relief of Christ and two angels in symmetrical movement.
The altar originally contained an altarpiece of St. Vitale, now probably substituted with a copy. The bell tower is from the 16th century, and was probably built on a previous military tower.
Podrobnosti
The Museum was founded in 1885 and named the National Museum of Concordia to underline its close relationship with the nearby archaeological area of Concordia Sagittaria. It was headed by Dario Bertolini, who first organised the archaeological material in the building. Most of the materials are relics discovered between 1873 and 1882 in the vast archaeological area of Concordia Sagittaria; above all the burial site from the late Roman Age.

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The current cathedral is to all effects the last of a series of cathedrals that were built over time in Concordia Sagittaria. The first dates back to the late 15th century and was destroyed by the invasion of the Huns in 452.
The later cathedral was submerged when the River Lemene broke its banks in the mid-6th century. Other cathedrals were built in the 11th and 14th centuries.
The present construction dates back to 1466, and was commissioned by Bishop Antonio Feletto. It was completed in the 19th century, with the building of the choir stalls. At the beginning of the 20th century, during the bishopric of monsignor Francesco Isola, the present facade was built and the Martyrs’ Chapel was added, with the crypt in which their reliquaries are preserved.
The exterior of the church has a walled facade in exposed brick. In the centre of the Romanesque façade is the portal, surmounted by a circular rose window. Each of the two lateral naves has a single lancet window. On the right hand side of the church is a 12th century bell tower, 28 metres high, with two tiers of mullioned windows on each facade, and the baptistery with the layout of a Greek cross and a small cupola.
The exterior of the Gothic-style apse is decorated with another four mullioned windows. The interior of the cathedral is in the form of a Latin cross, with three naves separated by two lines of rounded arches resting on quadrangular pillars with semi-columns. In the Martyrs’ Chapel, enlarged at the beginning of the 20th century by the future cardinal Celso Benigno Luigi Costantini, is an altarpiece by Alessandro Varotari, known as “il Padovanino”.


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On an octagonal base, next to the Palazzo Municipale, is the ancient well of the cranes, a symbol of Portogruaro. The well is the work of Giovanni Antonio Pilacorte, who completed it in 1494. The two cranes are the work of Valentino Turchetto, a sculptor from Portogruaro, who created them in 1928. The previous cranes were removed during the Austrian invasion in 1917 to make cannons. 


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Built in 1458, the Church of St. John the Baptist is located in the area of Settimo. The land for its construction was donated by Giovanni Battista Banchiani from San Vito and Daniele di Toffolo donated land to maintain the resident priest.
Inside the church of St. John the Baptist are “The Adoration of the Magi” and “The Martyrdom of Saint Sebastian and Saint Anthony Abbot”, both by Gian Francesco del Zotto, known as da Tolmezzo; the “Madonna del Latte” by a pupil of the Pordenone, Calderari, and “Stories of the Baptist” by Cristoforo Diana.
On the main altar is a particularly fine “Virgin and Child with Saints John the Baptist and Mark”, by Alessandro Varotari, known as il Padovanino.



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Portogruaro This is housed in the Villa Comunale, a lovely 16th century building by Bergamasco. It was opened in 1976 as the “Michele Gortani” museum with 10 display cases. Today there are 25 cases housing around 1500 fossils. They range from the lower Palaeolithic era to the appearance of man. Most come from Veneto, Fruili and Carnia. 


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This was the first sanctuary built in Italy in honour of the Holy Virgin, known as the “Madonna of Fatima”.
Work began in 1947 on land donated by Count Gaetano Marzotto, on the outskirts of the town of Portogruaro, along the Treviso-Portogruaro state highway. The foundations of the church and the convent were laid on 13th September 1949 and excavation began two days later.
The sanctuary was consecrated by Bishop Vittorio De Zanche on 13th May 1954. Since 1999, the convent adjacent to the sanctuary has been the home of the Centre for Evangelisation of the Capuchins of Veneto and Friuli Venezia Giulia.







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This was built around the mid-12th century and was once called Porta del Bando and then Porta S. Lazzaro (St. Lazarus’ Gate) after the lepers’ 
hospice of the same name, which was built in 1203 on what is now via Zappetti. It was restored in 1555-56 by podestà Girolamo Zorzi, as the inscription above the gate recalls.

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St. Andrew’s Cathedral was built on the remains of three previous churches: St. Frances, St. Lazarus and St. James. Work began on 4th August 1793 and ended only in 1893. It was inaugurated in the same year by Bishop Carlo Fontanini, who consecrated this majestic Neo-Classical church.
The cathedral, with its three naves, is 55.07 metres long, 20.38 metres wide at the transept, 23.4 metres high at the central cupola and 19 metres high at the ceiling. In 1925 it was decorated by Tiburzio Donadon from Pordenone. It contains various fine works of art, including the “Holy Conversation” and the “Stories of St. Andrew” by Pomponio Amalteo, and the “St. Roch, and the “Resurrection Altarpiece” by Jacopo Negretti.
The “St. Thomas Altarpiece” by Cima da Conegliano, which was originally housed in the cathedral, was sold at a time when money was short for 1800 pounds to the British Museum. The bell tower, which is currently 59 metres high was originally 47 metres. The facade was renovated in 1879, together with the pinnacle.
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Inaugurated in 1984, the museum houses a large part of the memorabilia of Ippolito Nievo, one of Italy’s most popular writers and the author of the novel “Confessions of an Italian”.
It contains around one hundred items, including a trunk and clothes belonging to the writer. The collection was initially made possible thanks to materials from the Castle of Colloredo of Montalbano, where it was originally housed. The castle was forced to remove these items due to the major earthquake that hit Friuli in 1976.
In the display cabinets of the “Ippolito Nievo” Museum in Fossalta di Portogruaro – housed in the Town Arts Centre – are all the editions of the aforementioned masterpiece and an original copy of the newspaper “Il Caffè”, signed by Nievo..




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The latest discovery dates back to 2013. Two Roman sarcophagi were found outside what were once the ancient town walls. The monument, which is today temporarily housed under the Municipal Loggia, dates back to the late 2nd century A.D. It is made up of a podium in blocks of Calcare di Aurisina, originally with three levels.
The whole construction reached a height of 1.3 metres and had a perimeter base of 6.5 x 1.7 metres. At the top of the podium, as it was originally, the fragments of the two main sarcophagi in decorated preconnesio marble have been placed.
They were approximately 1.7 high and over 2 metres long and were demolished in ancient times.


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The noble homes of Portogruaro frame the historic centre and embellish its architectural beauty. The most important include the 15th century Palazzo de Götzen, Casa Longo, with its important decorative compositions, Palazzetto Fratto, which also hosted Ippolito Nievo, Palazzo Moro, with two elegant trifora, and Palazzo Muschietti, still embellished today by an external frieze featuring fruit under the eaves of the roof. 

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This was founded in 730-735. In 899 it was sacked by the Magyars but St. Mary’s Abbey rose again and was fortified in the 10th century. In 967 Emperor Otto I donated the abbey to Rodoaldo, the patriarch of Aquileia. From 1441 - 1786 the abbey became a commendam and in 1818 the religious jurisdiction returned to the diocese of Concordia and the abbey was finally re-established in 1921.
The first walls were created in the 10th century, after the devastation caused by the Magyars. The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani, to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.

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This building is part of Villa Dalla Pasqua and, together with the Belfiore Mill, forms a sort of closed courtyard to the right of the River Loncon. The Castellina has recently been restored. It has a polygonal shape and features a framework of brick eaves in Medieval style. Arts and recreational events are organised here. 

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The San Stene Castrum has a thousand-year-old history. The first papal bull citing the Castle of San Stino dates back to 1186. In 1388 it was conquered and set on fire by the Venetians, who nevertheless over the years transformed it into a sumptuous home for noble Venetian families. Originally it probably had towers that no longer exist. The Castle is currently owned by the Tonini family.


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This is housed in the St. Agnes’ Tower in the historic centre of Portogruaro. The Town Museum, opened in 1999, reconstructs the story of the town from the 12th century to the 20th century, highlighting and exploring the various aspects of public, private, civic and religious life in the town through the relics contained there. It contains many stone crests of noble families from Portogruaro, statues, libation dishes, inscriptions and ceramics. There are also fine 19th and 20th century prints, including a portrait of Quintino Sella as a member of the Accademia dei Lincei in 1877. 

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My tady v Bibione víme, co si žádá vaše telo, ale i vaše duše, a proto se postaráme o obojí!  Chcete pokracovat ve svých nedelních setkáních i behem dovolené?
Tohle je stránka je urcena vám, kdo hledáte informace o náboženských obradech v italštine, nemcine polštine nebo slovenštine.
Farnost:
Farní kostel:
- Farnost: S. Maria Assunta (Via Antares, 18)
Farár: Vena don Andrea
Telefon: +39 0431 43178
Fax: +39 0431 43178
Letní obrady: všední dny: v 18.00hod – ctvrtek: v 8.00hod / sobota: v 18.00 hod. / nedele v 09.00 a v 11.00hodin.
web: www.parrocchia-bibione.org
Letní kaple:
- Chiesa di Santo Stefano (Via delle Colonie 3/A)
- Cappella Maria Regina della Pace (Centro Pastorale "Pasotto") (Via Capricorno ovest 18/A, Lido dei Pini)
- Cappella San Pietro (Via Puccini, 30020, Lido del Sole)
- Kaple Sant'Antonio Via degli Asfodeli, Bibione Pineda
Bližší informace o porádání mší svatých a o mších v cizím jazyce najdete na webových stránkách : www.parrocchia-bibione.org
Letní kaple:
- Bibione Pineda, Sant’Antonio (Via Baseleghe, 13)
Všední dny: Mše svaté se nekonají
sobota: v 19.00 hod.
Domenica: v 8.00 a v 10.30 hod.
- Lido del Sole, S. Pietro (Via Vivaldi)
Ve svátky: v 10.30 hod.
- Lido dei Pini, Regina della Pace ( Via Lira)
Všední dny: Svatém mše se nekonají
sobota: v 19.00 hod.
Nedele v 9.00 hod.
- Bibione, "Santo Stefano” via delle Colonie
Svaté mše v cizím jazyce se budou konat až do konce zárí.
Svaté mše od zárí
Všechny svaté mše jsou prerušeny (Lido del Sole, Bibione Pineda, Lido dei Pini)
Ve farnosti:
Všední dny: v 8.00 hod. a v 18.00 hodin (až do zárí)
sobota: 18.00 hod.
Nedele: v 9.00, 11.00, 18.00 hodin (až do zárí)
Podrobnosti
The building dates back to the 18th century, although one particular document attached to the baptism registry hints at a pre-existing church dedicated to the Blessed Virgin. It has an atmospheric facade embellished by an harbour and by two characteristic grooved oval windows.
Inside is a statue of the virgin by the artist Valentino Besarel. The dedication of the church recalls the proclamation of the dogma of the immaculate conception by Pope Pius IX, on 8th December 1854.

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St. Agnes’ Gate was built in the 12th century. It is owned by the Municipality of Portogruaro. Various restorations have taken place over the centuries, from the 16th century onwards, when podestà Girolamo Zorzi had pavement laid down from the tower to the bishop’s palace. 

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