Muzea a teritorium
Vnitrozemí Bibione tvoří několika vzájemně spojených lokalit, které umožňují doplnit další zážitky z dovolené, kde jsou moře a pláž jen prvními z dlouhé řady zajímavostí. Pobřeží a vnitrozemí se pohybují ve vzájemné synergii a nabízejí svým návštěvníkům nové zážitky a výhody.
Co na vás čeká na tomto území? Malá historická centra, muzea, archeologická naleziště, přírodní krajina, systém zemědělský podniků a farem, kde lze ochutnat typické místní produkty. Přidanou hodnotou tohoto teritoria je volba pozvolného využití, takže město a jeho okolí nejsou vnímány jako oddělené, ale spíše jako jeden celek.
It is a repository of the trades, uses and customs of local people in the first half of the 20th century, including the main artisan activities in the area, like that of the stonemason, blacksmith, shoemaker and tailor, etc. There are also external spaces divided into a portico, farmyard, sottoportico and cellar.
There are extremely valuable reconstructions of farming environments of the era, together with special features like the lighting, recreated using original materials, old dishes, bracket lights, woven electric wires and porcelain insulators etc.
During restoration in 1763 an octagonal pinnacle surmounted by another pinnacle was added. Inside there is a monumental main altar, an architrave structure with a coffered ceiling, tympanum and lateral niches, the work of the stonemason Rinaldo from Portogruaro. The antependium has a bas-relief of Christ and two angels in symmetrical movement.
The altar originally contained an altarpiece of St. Vitale, now probably substituted with a copy. The bell tower is from the 16th century, and was probably built on a previous military tower.
The later cathedral was submerged when the River Lemene broke its banks in the mid-6th century. Other cathedrals were built in the 11th and 14th centuries.
The present construction dates back to 1466, and was commissioned by Bishop Antonio Feletto. It was completed in the 19th century, with the building of the choir stalls. At the beginning of the 20th century, during the bishopric of monsignor Francesco Isola, the present facade was built and the Martyrs’ Chapel was added, with the crypt in which their reliquaries are preserved.
The exterior of the church has a walled facade in exposed brick. In the centre of the Romanesque façade is the portal, surmounted by a circular rose window. Each of the two lateral naves has a single lancet window. On the right hand side of the church is a 12th century bell tower, 28 metres high, with two tiers of mullioned windows on each facade, and the baptistery with the layout of a Greek cross and a small cupola.
The exterior of the Gothic-style apse is decorated with another four mullioned windows. The interior of the cathedral is in the form of a Latin cross, with three naves separated by two lines of rounded arches resting on quadrangular pillars with semi-columns. In the Martyrs’ Chapel, enlarged at the beginning of the 20th century by the future cardinal Celso Benigno Luigi Costantini, is an altarpiece by Alessandro Varotari, known as “il Padovanino”.
Inside the church of St. John the Baptist are “The Adoration of the Magi” and “The Martyrdom of Saint Sebastian and Saint Anthony Abbot”, both by Gian Francesco del Zotto, known as da Tolmezzo; the “Madonna del Latte” by a pupil of the Pordenone, Calderari, and “Stories of the Baptist” by Cristoforo Diana.
On the main altar is a particularly fine “Virgin and Child with Saints John the Baptist and Mark”, by Alessandro Varotari, known as il Padovanino.
Work began in 1947 on land donated by Count Gaetano Marzotto, on the outskirts of the town of Portogruaro, along the Treviso-Portogruaro state highway. The foundations of the church and the convent were laid on 13th September 1949 and excavation began two days later.
The sanctuary was consecrated by Bishop Vittorio De Zanche on 13th May 1954. Since 1999, the convent adjacent to the sanctuary has been the home of the Centre for Evangelisation of the Capuchins of Veneto and Friuli Venezia Giulia.
hospice of the same name, which was built in 1203 on what is now via Zappetti. It was restored in 1555-56 by podestà Girolamo Zorzi, as the inscription above the gate recalls.
The cathedral, with its three naves, is 55.07 metres long, 20.38 metres wide at the transept, 23.4 metres high at the central cupola and 19 metres high at the ceiling. In 1925 it was decorated by Tiburzio Donadon from Pordenone. It contains various fine works of art, including the “Holy Conversation” and the “Stories of St. Andrew” by Pomponio Amalteo, and the “St. Roch, and the “Resurrection Altarpiece” by Jacopo Negretti.
The “St. Thomas Altarpiece” by Cima da Conegliano, which was originally housed in the cathedral, was sold at a time when money was short for 1800 pounds to the British Museum. The bell tower, which is currently 59 metres high was originally 47 metres. The facade was renovated in 1879, together with the pinnacle.
It contains around one hundred items, including a trunk and clothes belonging to the writer. The collection was initially made possible thanks to materials from the Castle of Colloredo of Montalbano, where it was originally housed. The castle was forced to remove these items due to the major earthquake that hit Friuli in 1976.
In the display cabinets of the “Ippolito Nievo” Museum in Fossalta di Portogruaro – housed in the Town Arts Centre – are all the editions of the aforementioned masterpiece and an original copy of the newspaper “Il Caffè”, signed by Nievo..
The whole construction reached a height of 1.3 metres and had a perimeter base of 6.5 x 1.7 metres. At the top of the podium, as it was originally, the fragments of the two main sarcophagi in decorated preconnesio marble have been placed.
They were approximately 1.7 high and over 2 metres long and were demolished in ancient times.
The first walls were created in the 10th century, after the devastation caused by the Magyars. The facade is dominated by a fresco representing the lion of St. Mark, dating back to the late 15th century. Below it is a bas-relief with the crest of cardinal Grimani, to the left is a fresco where the Grimani crest is repeated and to the right there is a fresco of a crest with a cross, whose ownership is unknown.
Beyond the entry tower you access a large courtyard that has recently been paved, onto which all the main buildings of the abbey complex look. There is also a brick bell tower here.
Tohle je stránka je urcena vám, kdo hledáte informace o náboženských obradech v italštine, nemcine polštine nebo slovenštine.
- Farnost: S. Maria Assunta (Via Antares, 18)
Farár: Vena don Andrea
Telefon: +39 0431 43178
Fax: +39 0431 43178
Letní obrady: všední dny: v 18.00hod – ctvrtek: v 8.00hod / sobota: v 18.00 hod. / nedele v 09.00 a v 11.00hodin.
- Chiesa di Santo Stefano (Via delle Colonie 3/A)
- Cappella Maria Regina della Pace (Centro Pastorale "Pasotto") (Via Capricorno ovest 18/A, Lido dei Pini)
- Cappella San Pietro (Via Puccini, 30020, Lido del Sole)
- Kaple Sant'Antonio Via degli Asfodeli, Bibione Pineda
Bližší informace o porádání mší svatých a o mších v cizím jazyce najdete na webových stránkách : www.parrocchia-bibione.org
- Bibione Pineda, Sant’Antonio (Via Baseleghe, 13)
Všední dny: Mše svaté se nekonají
sobota: v 19.00 hod.
Domenica: v 8.00 a v 10.30 hod.
- Lido del Sole, S. Pietro (Via Vivaldi)
Ve svátky: v 10.30 hod.
- Lido dei Pini, Regina della Pace ( Via Lira)
Všední dny: Svatém mše se nekonají
sobota: v 19.00 hod.
Nedele v 9.00 hod.
- Bibione, "Santo Stefano” via delle Colonie
Svaté mše v cizím jazyce se budou konat až do konce zárí.
Svaté mše od zárí
Všechny svaté mše jsou prerušeny (Lido del Sole, Bibione Pineda, Lido dei Pini)
Všední dny: v 8.00 hod. a v 18.00 hodin (až do zárí)
sobota: 18.00 hod.
Nedele: v 9.00, 11.00, 18.00 hodin (až do zárí)
Inside is a statue of the virgin by the artist Valentino Besarel. The dedication of the church recalls the proclamation of the dogma of the immaculate conception by Pope Pius IX, on 8th December 1854.